Iron Man
Billionaire weapons manufacturer and playboy, Tony Stark (Robert Downey, Jr.), is trapped behind enemy lines. He's been captured by an Afghan terrorist rebel army, and is being forced to build his latest missile weapon for their leader, Raza (Faran Tahir). While in captivity, Tony has an eye-opening experience when he realizes that the terrorists are using his own weapons and technology to fight against American soldiers. The realization and the guilt he feels is too much for him to bear, and he knows he has to do something. Tucked away in a secluded cave, under the watchful eye of Raza's soldiers, Stark begins to build an invention that will not only ultimately help him escape his captors, but may just help the people he has put in harm's way for so long. He constructs a crude yet powerful full-body robotic suit that turns Stark into a walking weapon. From the moment he puts the suit on, and begins fending off the soldiers who have come to investigate the strange occurrences in his cell, we know that we are watching something special.
It's an exhilarating moment seeing Iron Man in action for the first time. Though the sequence has been highly publicized in the film's trailers for about a year now, it still manages to impress, because the scene carries with it such a feeling of freedom and liberation. Raza and his army are not even the main villains in the film, but seeing their comeuppance by this everyday man who fights back in such an extaordinary fashion is a giant rush, and not just for the fanboys who have been following the comics for years. Iron Man does a great job of building up to this moment. We are brought into Tony Stark's world, we see the realization dawn on him of just what his technology has been used for, and we feel for him. We want to see him escape, and we want to see the suit in action. Director Jon Favreau (Elf, Zathura) does not disappoint in either aspect.
Tony Stark does eventually make it back home to the US, and is greeted by his faithful and loyal personal assistant, Pepper Potts (Gwyneth Paltrow), best friend Jim Rhodes (Terrence Howard), and business partner Obadiah Stane (Jeff Bridges). Tony has been forever changed by the experience of being held captive, that much is expected. What's not expected is that he does not become a brooding or deeply troubled hero who fights in order to calm his own personal demons. Yes, there is a personal connection. He doesn't want to see his name, or his company's name, used for terror ever again. But, we also get the feeling that Stark is sharing the same exhilaration we are whenever he dons the suit that allows him to become the superpowered Iron Man. So many recent comic book movies seem determined to focus almost solely on the negative or the heavy aspects of being a superhero. Spider-Man can swing across the sky and climb buildings, but he's constantly haunted by family grief, and the last words of his dead Uncle. Batman has all those wonderful toys and wealth, but let's face it, you wouldn't really want to party with the guy. Iron Man knows that there is a big responsibility in keeping law and order in the world, but also doesn't let it completely overshadow the fun it would be to wear a robotic outfit like Stark's, and just go flying. Some critics I've read have complained about the lack of action sequences in the film. Save it for the sequel, I say. This is a movie about Tony Stark learning about what it's like to be Iron Man, and that's the way it should be.
Iron Man is the rare film that is almost certain to delight the faithful of its source material (aside from updating the early scenes from Vietnam to Afghanistan, very little has been sacrificed), and those who know very little about the character and his world. There is a certain low key feel to everything in the movie. The special effects and the CG used to bring the character to life are dazzling, but never overbearing. It knows just the right amount of wonder to use. But let's be honest here, a superhero is only as good as the guy behind the mask. Robert Downey, Jr completely owns the role of Tony Stark in this regard. He is capable of not only making Stark a genuine human being outside of the costume, but he brings so much personality, charm, and wit to the film that we get the sense that the movie almost wouldn't be the same without him. Downey has proven his talent many times in the past 20 years or so, but this is the first time he's been expected to carry a potential blockbuster and franchise almost all by himself. Just like Johnny Depp with the original Pirates of the Carribean film, I have a feeling that this will cause audiences and studio heads to look at him in a different way. He's charismatic, he has a wonderful screen presence here that makes him almost mesmerizing to watch, and he's consistently believable, even when he's stomping around in that outfit.
While his supporting cast may not grab our attention like he does, they are all notable, and each of them give surprisingly honest and heartfelt performances. Gwyneth Paltrow makes a great "Girl Friday" for Downey's character, who is with him every step of the way, but never seems quite sure what to make of her complex relationship with her employer. I'm interested to see her character and her role in the story grow in the inevitable future installments. Jeff Bridges and Terrence Howard get slightly less to do for most of the movie, but they are still memorable, because of the way they approach their roles. Everyone treats the material as if this is actually happening. The performances are down to Earth, not broad in any way. When they use humor, it is appropriate for the situation, and not a case of the screenwriters trying to inject camp into the script for easy laughs. They're written as intelligent adults, and the fact that the story is set in a semi-realistic world only allows us to get more involved in the story. It's rare to see a talented cast come together so well, especially in a popcorn-fueled summer blockbuster.
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