Ghost Town

Back in 1999, writer-director David Koepp (whose past screenplay credits include Jurassic Park and the original Spider-Man film) made a criminally underseen supernatural thriller called Stir of Echoes. That movie followed a common everyman played by Kevin Bacon, who was given a gift to see the spirits of the restless dead, and aid them in their unfinished business. His latest movie, Ghost Town, is somewhat of a romantic comedy look at the same idea. Though somewhat formulaic in structure, there are a lot of genuine laughs to be found, as well as a lot of heart.

The film marks a wonderful leading man debut for British comic, Ricky Gervais, best known for creating and starring on the British version of the TV series The Office. If this movie is any indication (and if there is any justice in Hollywood), more leading roles will follow. He plays Bertram Pincus, a miserable sort of a guy who loves his job as a Dentist, solely because he doesn't have to talk to his patients. He's the kind of guy who sneaks out of the office when a fellow co-worker brings cake to celebrate the birth of his first child. Bertram's solitary existence is thrown to the winds when he has a near-death experience during a routine medical procedure. Because of this, when he leaves the hospital, he can suddenly see and communicate with ghosts who wander the streets of New York unseen by everyone else. One ghost in particular decides to use Bertram's sudden sixth sense ability to his own use. He is Frank (Greg Kinnear), a man whose life was cut short when he was struck by a bus, and now wants Bertram's help in breaking up the relationship of his former wife Gwen (Tea Leoni) and her new boyfriend Richard (Billy Campbell).

This obviously poses problems for Bertram, since he's not exactly a people person, and has not exactly been kind to Gwen in the past. Turns out they live in the same apartment building, and their past brief encounters together have not given Gwen a good impression of Bertram. (He steals her cab, and closes the elevator door when she asks him to hold it for her.) But, if Bertram wants to get rid of Frank so he can cross over, he has to shed his steely demeanor and warm himself up to Gwen. No prizes for guessing that the two start to fall for each other the more time they spend together. But, there are some surprises to be found. I liked the way the movie treated Gwen's new boyfriend. He's not the insensitive jerk that one would expect, and is actually a decent guy. It creates some personal conflict for Bertram, as he realizes he is developing feelings for her, while at the same time wondering if maybe she would be better off with Richard. While most of the plot is fairly cut and dry, there are a lot of moments that turn our better than we expect.

That's because the screenplay by Koepp and John Kamps (Zathura) doesn't rely solely on the conventions of the plot or the plot itself to carry the movie. Ghost Town's biggest strength is with the characters, the dialogue, and the humor. Just yesterday, I reviewed My Best Friend's Girl, a dreadful romantic comedy that tried to cram intentionally unlikable people into the standard formula. The movie didn't work, because they didn't fit into the standard outline of a romantic comedy. Ghost Town does a better job, because it doesn't go out of its way to make us hate Bertram. Yes, he's a jerk and is often cold to people, but we get the sense that it's a shield. He's not that way when he's alone and by himself. It also helps that Gervais does a much better job at playing a human cynic than Dane Cook did. Cook came across as someone who was trying too hard to be a jerk. Gervais plays his part as if it's something he's been practicing for years, and he's not exactly proud of that fact, but won't let on to anyone.

This is a movie that grew on me in a lot of ways. The relationship between Bertram and Gwen is sweet and guarded. They both obviously don't fully trust each other, and the movie spends enough time with the characters and their relationship that we can see their defenses melting away. And yet, the movie is briskly paced and funny enough that it never feels like the story is dragging its heels. A lot of the laughs are contributed by Gervais, who not only proves himself a great romantic lead, but a genuine comic talent. His dry wit and sarcastic asides fit his character, and though I suspect some of it was improvised, it fits into the screenplay and does not seem out of place, like some improvised humor. Tea Leoni makes for a sweet female lead, and holds our attention whenever she's on the screen. There's also a wonderful supporting performance from Kinnear, who plays his ghostly character as a bit of a swindler, but with a touch of sadness in the center of the role, which is appropriate.

Ghost Town is one of those movies that you walk in expecting at least a good time, and then it ends up giving you more. The movie knows how to hit the right emotional buttons, without seeming manipulative or without pushing too hard. Just like the best romantic comedies, we want to see the characters succeed and get together at the end. More than that, the movie has been made with more intelligence than you might be expecting. What a wonderful surprise, and what a wonderful movie.

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